Talking Pictures

Just another WordPress.com weblog

My Darling Clementine, USA 1946.

Posted by keith1942 on November 27, 2014

MY DARLING CLEMENTINE-008-(1000003974)My Darling Clementine-008

This classic western directed by John Ford was screened at Il Cinema Ritrovato 2014. The screening used a 4K DCP, which offered excellent visual quality. The film had been digitally scanned at 4K from the Museum of Modern Art’s 35mm nitrate fine grain master. Then it was restored at 4K at Cineric Inc. with the audio track restored from a source element at Audio Mechanics. This was a demonstration of how good digital can be when the technology is set at the right level of quality and used well. A discussion on digital restorations and screenings produced the comment that 4K should be the minimum for digital cinema: something my experience of viewing confirms.

This great western, filmed in Ford’s favourite Monument Valley, makes excellent use of the landscape and vistas. This provides the setting for one of the finest performances by Henry Fonda as Wyatt Earp. The Catalogue quoted Tag Gallagher; “Wyatt combines the godhead of Lincoln, the passion of Tom Joad, the directness of the Ringo Kid.” Somewhat over the top, as indeed is the film, but it aspires to and achieves mythic status. It is worth noting that two of the performances quoted are indeed by Fonda, but the third is by John Wayne. Much of the strength of the film arises from this combination of two artists, Ford and Fonda.

But it also arises from the writing – Samuel G. Engel and Winston Miller: the superb cinematography by Joe Macdonald; and fine production design by James Basevi and Lyle Wheeler. The music also aspired to mythic status, and the use of the traditional song, ‘We’ll gather at the river’, is memorable.

And the quality also stems from the fine supporting cast. Walter Brennan as the Clanton patriarch is splendid. And Victor Mature as Doc Holiday has a memorable sequence in which he quotes Shakespeare: far better than the ham he is sometimes thought to be. As you might expect for the genre the women characters are less developed, but Cathy Downs is excellent as Clementine and Linda Darnell makes Chihuahua memorable.

This was one of the great pleasures of the Ritrovato week, and unsurprisingly the Arlecchino cinema was packed. The film looked great on the large screen, wide enough for scope but masked to 1.37:1. Undoubtedly this restoration will circulate in the UK in the not too distant future. My fear is that we will only get a 2K DCP. Despite there being quite a number of 4K projectors around – we have three cinemas in Leeds and at least one in nearby Bradford with this technology – the UK distributors rarely expend the effort of resources to provide this quality. Several exhibitors have told me that one requires a minimum screen size for 4K projection: 10 metres in quoted. However, Torkell Sætervadet in the FIAF Digital Projection Guide (2012) provides several pages of refutation. One aspect that gets overlooked is that digital is not just about the number of pixels – 4K offers a greater degree of dynamic contrast: and My Darling Clementine is a film with magnificent dynamic contrasts. Let us wait and hope.

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

 
%d bloggers like this: