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Obituaries, June 2015

Posted by keith1942 on June 13, 2015

There is an old saying, ‘deaths come in threes’. It certainly seems o this week, with three important names in the world of cinema.

 

As Mycroft Holmes

As Mycroft Holmes

Christopher Lee; I was amazed at how long was the list of his screen appearances on IMDB. He played not only in many films but also in several film industries. The newspapers are already ‘identifying’ his key roles. Mine are all early in his career. There affine later performances but in the early days he appeared in key and fine films.

There are the great Hammer horrors:

The Curse of Frankenstein 1957.

The Hounds of the Baskervilles 1959,

Dracula: Prince of Darkness 1966.

I saw all of them in the cinema whilst reviewers worried over my moral corruption. My taste in horror was settled in those films and their performances.

The Wicker Man (1973) sort of subverted hammer though I always thought the film was overrated, but Lee was its best feature along with the cinematography in the final sequence; by Harry Waxman.

And then there was The Private Life of Sherlock Holmes (1970). This is the finest portrayal of the great detective on film: but then it was written by Billy Wilder and I. A. L. Diamond and directed by Wilder.

Ron Moody with Oliver Reed.

Ron Moody with Oliver Reed.

Ron Moody: he also made a number of films but, for me, it is one performance that stands out: his Fagin in Oliver! (1968). The character is problematic in terms of prejudicial representation of Jewish people, (also true in the book). The BBC played an interview clips with Moody this morning. He said when the film came out he was most nervous about review that would appear in ‘The Jewish Chronicle’. To his relief the review stated that the film was ‘suitable family viewing’. He opined that this was the apogee of critical terms in the Chronicle.

Ornette Coleman.

Ornette Coleman.

Finally Ornette Coleman, a jazz rather than film performer. In fact he was one of the truly great innovators and performers in Jazz. Surely one of his recordings should be included in a desert island ten. However he scored one very appropriate film, The Naked Lunch (1991). And along with the recordings there is a film portrait, Ornette Coleman: Made in America (1985).

All will be missed. And I shall watch or listen to all three over the coming week. Especially Coleman who was the most active in recent years.

 

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