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‘Modern Ghost Melodramas’

Posted by keith1942 on September 27, 2017

This is a new book by Michael Walker and published by the Amsterdam University Press. Michael’s previous book was ‘Hitchcock’s Motifs’ [also Amsterdam University Press, 2005 ). That book presented a study of an auteur through the motifs that form part of his distinctive themes and style. This new book presents genre study and, to a degree, discusses the motifs that contribute to the common features across a range of films.

This is a modern genre cycle and Michael is mainly interested in the films that work as melodrama rather than horror. The variety of films represents a genre that is found across the international film industry. He discusses over fifty films in fair detail with the primary focus on their narratives. He also tends to a psycho-analytical standpoint though he also discusses social and cultural aspects.

The style of the book is accessible and he is careful to define terms and concepts and he avoids cumbersome footnotes. He does, though, reference a range of published works on aspects of the films and the genre.

The book itself is well produced and the illustrative stills are of a high quality.

I am writing several reviews of the book and it struck me that as it is large and comlex [460 odds pages]that the details of the contents would help to give an overall sense of the book.  So I am including this below.

 

Contents

Acknowledgments

  1. Introduction The Gothic Tradition Freud and Motifs
  2. Three Major Predecessors

The Haunted House    The Changeling (Peter Medak, Canada, 1979)

The Malevolent Hotel The Shining (Stanley Kubrick, GB, I980)

The Avenging Ghost   |Ghost Story (John Irvin, US, 1981)

  1. The Fallow Years: An Assortment of Ghosts

Bringing Back the Past           Lady in White (Frank LaLoggia, US, 1988) and

Ijintachi Tono Natsu / The Discarnates (Nobuhiko Obayashi, Japan, 1988)

Benevolent Ghosts       Ghost (Jerry Zucker, US, 1990)   Always (Steven Spielberg, US, 198  The Seductive Revenant Haunted (Lewis Gilbert, UK/ US, 1995)

Seminal Films

  1. Ghosts in the City

A Ghost World     The Sixth Sense (M. Night Shyamalan, US, 1999)

Working-class Tensions  Stir of Echoes (David Koepp, US, 1999)

  1. Ghosts in the Machine Ringu / Ring (Hideo Nakata, Japan, 1998) and

Ringu 2 / Ring 2 (Nakata, Japan, 1999)

  1. Schoolgirl Angst Kokkuri-san / Kokkuri (Takahisa Zeze, Japan, 1997)

Memento Mori (Kim Tae-yong & Min Kyu-dong, South Korea, 1999)

  1. Childhood Abuse In Dreams (Neil Jordan, US, 1998) and

The Dark (John Fawcett, UK/Germany, 2005)   The Haunting (Jan de Bont, US, 1999)

Evolution of the cycle

  1. Generic Developments 1: Messages from the Dead

A Ghost Movie Thriller What Lies Beneath (Robert Zemeckis, US, 2000)

Southern Gothic The Gift (Sam Raimi, US, 2000)

Bereaved Husband Dragonfly (Tom Shadyac, US/Germany, 2002)

  1. Spain and History 1: Politics and War El espinazo del Diablo / The Devil’s Backbone (Guillermo del Toro, Spain/Mexico, 2001).Tthe Others / Los Otros (Alejandro Amenabar, Spain/ US, 2001)

l0. Hollywood Reinflections The Ring (Gore Verbinski 2002) and The Ring Two (Hideo Nakata 2005)                 Male Melodrama Below (David Twohy, 2002)

  1. Asian Variations Pon / Phone (Ahn Byung-ki, South Korea. 2000). Ju-on (Takashi Shimizu, Japan, 2004) and The Grudge (Takashi Shimizu, US, 2004) Chakushin Ar / One Missed Call (Takashi Miike, Japan, 2004)

I2. Generic Developments 2: Ghosts in the Woman’s Film    Honogurai mizu

No Soko Kara / Dark Water (Hideo Nakata,Japan, 2002)      Dark Water (Walter Salles, US, 2005)           Half Light (Craig Rosenberg, Germany/US, 2006) The Marsh (Jordan Barker, Canada/ US, 2006)

  1. Ghosts and Institutions I: South Korea

The School The Yeogo Goedam films           – Whispering Corridors (Park Ki-hyeong 1998) Voice (Choi Equan 2005) A Blood Pledge (Lee Jong-yong 2009)

The Department Store Geoul Sokeru / Into the Mirror (Kim Sung-ho 2003)

  1. Ghosts and institutions 2: The West

The Hospital    Riget/the Kingdom (4-part TV series) (Lars von Trier & Morten Arnfred, Denmark, 1994)  Fragile / Frágiles (Jaume Balaguero, Spain/UK, 2005)

The Prison Gothika (Mathieu Kassovitz, US, 2003)

  1. National Variations

Hong Kong Inner Senses (LO Chi-leurig 2002)         India Bbhoot / Ghost (Ram Gopal Varma, 2003)       France Histoire de Marie et Julien (Jacques Rivette 2003)

Italy: Three Films NonTti Muovere / Don’t Move (Sergio Castellitto, Italy/Spain/

UK, 2004) L’aniore Ritorna (Sergio Rubini 2004)     Ovunque sei (Michele Placido 2004)

  1. Anatomy of the Ghost Melodrama Themes and Motifs

Ryeong /The Ghost / Dead Friend (Kim Tae-kyoung, South Korea, 2004)

Narrative structure Sakesi / Retribution (Kiyoshi Kurosawa, Japan, 2006)

  1. Spain and History

2: The Franco Legacy and the Catholic Church

Lost Children El Orfanato / The Orphanage (J.A. Bayona 2006)

Unwilling Martyrs No-Do/ The Haunting / The Beckoning (Elio Quiroga 2009)

  1. The Return of the British Ghost Film The Disappeared (Johnny Kevorkian, UK, 2008) Genova (Michael Winterbottom, UK/Cayman Islands, 2008)    The Awakening (Nick Murphy UK/France, 2011)

The Woman in Black  The Woman in Black (Herbert Wise, TVM, 1989)    The Woman in Black (James Watkins, UK/US/Canada/Sweden, 2011)         The Secret of Crickley Hall (Joe Ahearne 2012,3-part BBC TV mini-series)

  1. Recent US developments and conclusion

Return to Haunted-house Horror

Broken Families and Mourning

 

Conclusion

Filmography

Illustrations

Bibliography

Index

 

 

 

 

 

 

 

 

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